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|H. James Harkins is a composer of electronic music for live performance, based in Guangzhou, China in the Modern Music Department of the Xinghai Conservatory of Music.|
A demonstration of live coding in SuperCollider.
Youku link for Chinese readers.
2020-08-09: Process Prototype at Oil Club, Shenzhen
I’ll play a live-coding improvisation starting shortly after midnight.
Read about the event here—mostly Chinese but some English.
2019-08-06: Quietcode #1 event in Guangzhou
Quietcode is live-coding improvisation of meditative, ambient music. I plan this to be the first in a series of concerts, with later events including collaboration with local producers.
Poster and teaser after the jump.
2019-01-26: ddwChucklib-livecode v0.4.1 released
In my semester-break rush of tidying things up, I’m pushing out a point release of my live coding framework. This is the version used in my recent performances.
(Actually “ddwChucklib-livecode” is the name of the framework itself, but if you install ddwLivecodeInstruments, it will install the framework as a dependency — one step instead of two.)
The last tag release was October 2016. It’s a lot more stable and usable now. Also, I spent a lot of time in the last couple of weeks updating and expanding the documentation.
Download the PDF manual.
Demo jam after the jump.
2018-12-11: November/December performances
November 17, an improvised live-coding set at Hoodoo’s monthly Guangzhou techno all-nighter. I started in ambient style, and ended up in the straight-ahead techno territory in this excerpt:
December 16 (upcoming), an appearance at the Guangzhou International Outdoor Performance Festival.
2018-07-14: Xinghai Computer Orchestra spring 2018
It took a while to mix down the pieces from the second semester of the Xinghai Computer Orchestra, but here they are. Descriptions after the jump.
2018-06-07: Ev'rything Stops... In Terre Haute
Some years ago, my father Patrick wrote lyrics for a cabaret-style song about the interminable train delays in Terre Haute, Indiana, and invited (dared?) me to set them to music. So I did.
It took a few years, but here is a simple reading for voice and piano, by Patrick’s colleague at Saint Mary-of-the-Woods College, Tracy Richardson.
Lyrics after the jump.
2018-01-12: Early release: ddwLivecodeInstruments
Just released: An early version of a new SuperCollider Quark, ddwLivecodeInstruments, a set of ready-to-play instruments for my Chucklib-livecode system. Along with this, I’ve added a Tutorial section to the Chucklib-livecode manual, which uses the new instruments to get users started quickly.
I’m looking for testers to read the tutorial, try the examples, and play with them. Details below the jump.
2017-10-25: San Diego, 11/2/2017: Premiere
Southern California residents: My friend and grad-school colleague Christopher Adler will present a recital of modern music for the khaen (a Lao/Thai free-reed mouth organ), including the world premiere of my new piece for khaen and electronics, Late Passing.
Thursday, November 2, 7:30 p.m. USD: University of San Diego Founders Chapel 5998 Alcala Park, San Diego
Chris is an outstanding musician who has been playing and writing for the khaen for some twenty years now. This recital will be well worth your time.
2017-09-04: Shadowplay CD; EM2017 video
Keri McCarthy’s Shadowplay CD is released, featuring my Meditations on “Myu Mhaung Wai Kin”. https://store.cdbaby.com/cd/kerimccarthy
Electro-Music 2017 uploaded video from my August 5 live-coding performance. It’s a new level of musicality in live-coding for me. https://vimeo.com/230615656
2017-06-23: ddwChucklib-livecode video
Finally, after two years, I’ve updated the live coding video on my front page. It’s a fresh performance of material that I played in a concert at Xinghai Conservatory this week (June 19). With the new generator framework, the music develops faster, into a more complex texture, than I could manage before. It’s a new milestone.